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Christ’s Heart Surely and Speedily

Goodwin writes of the Holy Spirit’s continual work of shedding God’s love abroad in our hearts through Christ:

Him [i.e. the Holy Spirit], therefore, I shall send on purpose to be in my room, and to execute my place to you, my bride, spouse, and he shall tell you, if you will listen to him, and not grieve him, nothing but stories of my love…All his speech in your hearts will be to advance me, and to greaten my worth and love unto you, and it will be his delight to do it. And he can come from heaven in an instant when he will, and bring you fresh tidings of my mind, and tell you the thoughts I last had of you, even at the very minute when I am thinking of them, what they are at the very time wherein he tell you them…We are said to ‘have the mind of Christ’…for he [the Spirit] dwelleth in Christ’s heart, and also ours, and lifts up from one hand to the other what Christ’s thoughts are to us, and what our prayers and faith are to Christ. So that you shall have my heart as surely and as speedily as if I were with you; and he will continually be breaking your hearts, either with my love to you, or yours to me, or both…

-Thomas Goodwin, The Heart of Christ, pp. 19-20

The fact that the Spirit can come in an instant and declare Christ’s love gives us hope in the midst of emptiness and spiritual dryness. The imperatives are, Listen to Him and Don’t grieve Him.

The Holy Spirit as Editor

I have left my Spirit to be your secretary and the inditer [i.e. composer] of all your petitions.

-Thomas Goodwin, The Heart of Christ, p. 21

Goodwin expounds Christ’s promise of the Holy Spirit as the Paraclete of his people. This ties into an idea I’ve written about before HERE: The Spirit ‘fixing our prayers on the way up.’ When you have an editor in the Holy Spirit, you should not fear boldness in prayer.

Christ’s Love to Sinners in the Midst of Sin

Commenting on Peter’s three denials of Christ, and of the general abandonment of Jesus by his disciples during his passion (his greatest expression of his love), Goodwin makes the point that we learn something very important about the heart of Christ toward his people:

And by the way, so God often orders it, that when he is in hand with the greatest mercies for us, and bringing about our greatest good, then we are most of all sinning against him; which he doth, to magnify his love the more.

-Thomas Goodwin, The Heart of Christ, p. 28

 

 

Music of the Spheres: The Heavens as a Hymnbook

I will say up front that this is one of the most helpful paragraphs I have ever read:

The unreasonable creatures are in some sort said to glorify him: [Psalm 19:1] ‘The heavens declare the glory of God.’ How? They give occasion and afford matter whence we may take hints to glorify him. As in music there are the notes set out in the book, and the tongue that sins, or hand that play, which makes the music. The creatures are the notes, or music, that is set, and have the notes, the keys, and characters of the harmonious glory of God stamped upon them, Rom. i. 20. But then there must be an understanding creature, that hath skill and ability, to utter forth the music and harmony of all these.

(Thomas Goodwin, The Work of the Holy Spirit in Our Salvation, p. 498).

Goodwin uses the analogy, we could say, of a hymn book in relation to the shining of the glory of God in creation. The heavens declare the glory of God like a hymnbook declares music. That is, if the heavens are to effective in God’s purposes, they must be read and sung.

I cannot read music. But I can read words. And so I get maybe half the benefit of a hymnbook. I use one every Sunday, and sometimes during the week, and I am able to sing songs that I do not know by heart because of it. A pianist, however, is able to play songs that he or she does not know by heart. I see circles and lines in black ink, she sees music. I see glory, but she sees more glory. And so, in some ways, she is more able to glorify God with that book, because, in light of her knowledge, she can use her instrument to make something that I cannot, and therefore glorify God in a way that I cannot.

The heavens, Goodwin says, are like that hymnbook. There is glory in them. Can you read it? Can you make music out of them? Do you look at the winter sky and, as it were, hear the ‘music of the spheres’? Or, at least, does it cause you to sing?

I was never interested in the planets until I started reading C.S. Lewis, and especially after reading Michael Ward’s book Planet Narnia. But since then I have studied the planets as an interested layman. And so, as I was having a dull drive home from work one night, a bright star, just beside the crescent moon, caught my eye. I began to pan the sky for other stars. I couldn’t find any. And so, I thought to myself, ‘that must be Venus!’

Though Venus had stared at me many nights, I had never really seen her. And there she was, the Evening Star, otherwise known as the Morning Star. I thought of how the Book of Revelation calls Jesus Christ the Morning Star. I thought of how he promised to give us the Morning Star. I thought of the amazing fact that Earth’s sister planet was there, suspended in mid-air, circling around the sun at great speed, but appearing as a still star. I found myself praising God for, and in, this train of thought. For the first time, I understood something of that note in that heavenly hymnbook. Venus was declaring the glory of God. That moment has stuck with me now for over a month. I even wrote a poem about it (HERE).

I have learned not to look at space as space. The Bible calls it ‘the heavens.’ Space is empty. The heavens are full – full of fascinating things, and full of God’s glory.

But the hymnbook analogy has its limitations. I once heard someone, I can’t remember who, ask this question: If a beautiful tree grows deep in the rainforests, where no man has set foot in man years, does that tree glorify God? It almost sounds like the old dilemma of a tree falling when no one is there to hear it. The answer to that dilemma is simple. Who cares if we are not there to hear it, God is there. A lonely tree glorifies God because it is not really lonely – it has a heavenly audience. God sees all, and rejoices in the works of his own hand.

And so, I think, perhaps, Goodwin pushes the analogy too far, as if the hymnbook had no value in itself were there no one to read it. For God can read it. And God can make music of his own. Analogies are never perfect.

And therefore, it is good to see the heavens as a heavenly hymnal of sorts. The black sky is God’s staff. The planets are his bass clef. The stars are his treble clef. We need pianists, violinists, organists, etc. now to read and play. And a gospel to make us a sing.

You can read related thoughts HERE and HERE.